| WORKSPACE
Well I've just begun a new novel. I don't know whether Random House
will
This Intimate Strangers project is making me examine my process quite
I don't have the luxury of space in my house. Not that it's a really
small
But back to the house. And talk of *process*. My space has to be internal. My study is in my head. I get my quiet space by sticking headphones on my head and playing peaceful music - something choral or folk or New Age. Sometimes the kids even encroach upon that space too, so I have to negotiate with them for the use of MY computer and MY headphones. Fuck it, that makes me so mad. <breathing deeply> See how disorganised I am? I can't even write about how disorganised I am without getting off the track... Okay, so here's a mental picture of my space. See me sitting in one corner of the living room at a big desk, tapping away at a keyboard. The headphones wire me up to a CD-player on a set of metal shelves behind me, and in my head there's something by Terry Oldfield playing. Luckily for me, the keyboard is in a little pull-out drawer that fits under the desk. The surface of the desk is littered with - well, stuff. I know a clean desk would be less of a distraction, but every time I clear it off, more junk appears. It seems to me that there's a kind of stasis achieved when the junk hits a certain level. The actual composition of this stuff changes regularly, but not the level of it. Today there's a coffee-cup, a ceramic head my daughter made, several bits of paper, envelopes with important stuff scribbled on the backs, Edith Wharton's "The House of Mirth", a pencil case, a box of tissues, some folders and shit from school, a Vietnamese phrase-book, hand lotion, batteries, a letter from my aunt and a candle-making kit on top of everything. God knows what's underneath it all. So how do I work here? The same way I work in the middle of TV noise and kids fighting. I put the headphones on and don't think about it, try not to even look at it. Fortunately I can't touch-type, so I spend my time looking from the keyboard to the screen, and my eyes just skim over the mess in the middle. A metaphor for my life, I guess. I try to ignore the crap, and that way I never need to clear it all up. Ha ha. |
| PROJECT AND PROCESS
So what's the project I'm trying to get into right now? Well, like I said - it's a novel. I've heard some people spend ages on research, and they gather their material, organise their material and then begin writing. Those people probably have Virgo featuring prominently in their chart somewhere. I don't. I get an idea, like it a lot, then start writing about it. Then I get stuck. I realise I have absolutely no knowledge of the stuff I'm writing about, and the actual writing goes on the back-burner while I frantically search for information. It works for me. I get the answers to the questions I'm asking, and not a whole lot of superfluous information that I didn't want and will never use. I'm quite excited about this new project, because I'm learning a lot of different things. Bits of Vietnamese, a bit about permaculture, and I'm off to Gippsland in Victoria for a few days at Easter, to suss out my location. Now, I really hate talking about a current project in any detail, because
if I know too much about it, I get bored with it. I like to be surprised
by my writing. I think that's why I find it so difficult to actually finish
a novel. When I know my destination, I lose interest in the journey. That
sucks.
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